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It actually looks pretty cool to me. It's not just an app launcher. It allows you to search and "launch" all the things from the menus in multiple applications. Sweet!-Deozaan (February 01, 2012, 12:32 AM)
It certainly is - IF - you're primarily interested in coming up with an interface for tablet PCs.-40hz (February 01, 2012, 06:16 AM)
And posting here will renew this thread and give more exposure to NaGa DeMon as well. we'll have to get on to mouser - there was a tradition to get a mug @ 5,000 posts.Really?-tomos (January 31, 2012, 03:59 PM)-40hz (January 31, 2012, 05:17 PM)
Plus we had to add a data plan just so she could use it. But that's a different story.
How is this considered an opt-in?-bob99 (January 29, 2012, 01:45 PM)
Though somewhat tangential, I highly recommend this reply from Tim O'Reilly (yep, *that* Tim O'Reilly).
[...]
But the real payload of O'Reilly's response comes in the paragraphs that follow.-tranglos (January 29, 2012, 12:47 PM)
If you want an example of a company that is doing "evil", consider Apple. I was horrified, when I heard Mike Daisey, author of the one-man show "The Agony and the Ecstasy of Steve Jobs," talking on This American Life about working conditions in the factories that make the iPhone and iPad, and Apple's tepid monitoring of those conditions. When a company has $98 billion in cash, and profits of tens of billions of dollars each quarter, does it really need to squeeze every last cent out of manufacturing costs.
The account of how Apple's factories substituted n-hexane, a neurotoxin with well-documented long term adverse health effects, for alcohol to wipe those shining screens clean, gaining a miniscule advantage in drying time but exposing workers to a lifetime of disablement nearly brought me to tears.
That's evil. Of course, Apple never promised to do no evil, so they get a free pass.
Journalists should listen to this episode, and then write about that, please:
http://www.thisameri...nd-the-apple-factory
Thanks to widespread adoption of aggressive digital rights management (DRM) and a single-source model of distribution, most digitally distributed software will vanish from the historical record when those stores shut down. And believe me, they will shut down some day. If this doesn’t scare you, then you need an allegorical history lesson. Here it is:
Imagine if a publisher of 500,000 different printed book titles suddenly ceased operation and magically rendered all sold copies of its books unreadable. Poof. The information contained in them simply vanished. It would represent a cultural catastrophe on the order of the burning of the Great Library of Alexandriaw in 48 B.C. In that fire, a majority of the Western world’s cultural history up to that point turned to ash.
Now take a look at the iTunes App Store, a 500,000 app repository of digital culture. It’s controlled by a single company, and when it closes some day (or it stops supporting older apps, like Apple already did with the classic iPod), legal access to those apps will vanish. Purchased apps locked on iDevices will meet their doom when those gadgets stop working, as they are prone to do. Even before then, older apps will fade away as developers decline to pay the $100 a year required to keep their wares listed in the store.
When Corporations Own History, They Change It
The DRM found in digital app stores today poses a significant threat to our future understanding of history. Sure, the companies that create this software own the rights to these products now, but once a work becomes consumed and embedded into mass culture, it belongs to the ages. It assumes a role larger than that of a mere commercial product, and copies of the work should be protected and preserved as cultural treasures.
It’s hard to protect and preserve that which is liable to change or disappear at any time. If VHS tapes worked like app stores, George Lucas could force all of us to upgrade our purchased Star Wars films to the Special Edition versions (to maintain compatibility with LucasOS, of course), overwriting the old ones in the process. Heck, one day he could decide he doesn’t like the movies at all and replace them with copies of Willow. It would be within his legal rights, but it would also be cultural robbery.
So, what do you think happened?
HANG ON, WE'LL GET YOU SOME EXPERT HELP.
Leonard Slatkin, music director of the National Symphony Orchestra, was asked the same question. What did he think would occur, hypothetically, if one of the world's great violinists had performed incognito before a traveling rush-hour audience of 1,000-odd people?
Wanting to make more people smile is a goal in my life.-Rover (January 25, 2012, 09:43 PM)
Also one should realise too that you can view the profile Google has built up on you and request that they no longer use targeted ads.-Eóin (January 25, 2012, 04:57 PM)
Silly question, but how do you view it ?-4wd (January 26, 2012, 01:17 AM)
I'm not that old (or so I keep insisting) and I've long since lost the love of turning another year older. I don't usually completely space my birthday but perhaps that's because, like your friend, someone will remind me. I'll tell you though, I've had a hard time keeping track of my age since I was 19.That might be a symptom of thinking you're secretly immortal - or at least not truly believeing you aren't.-Deozaan (January 25, 2012, 01:49 PM)-40hz (January 25, 2012, 02:34 PM)
I've had a hard time keeping track of my age since I was 19.Don't worry, it'll all come back to you when you turn 20...-Deozaan (January 25, 2012, 01:49 PM)-cranioscopical (January 25, 2012, 09:17 PM)
I sure hope so. Is my Cloudified data secure?
Yes, only you have access to your data. Bitcasa encrypts your data on your computer before uploading to the Bitcasa system. Nobody at Bitcasa can see your data or filenames.
