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251
Living Room / Re: Recommend some music videos to me!
« Last post by 40hz on December 04, 2015, 05:42 PM »
No wonder you couldn't find it, 40hz, Such a night is not on Afterglow.


1> I Know What I've Got 5:02 2> Gee Baby, Ain't I Good To You 4:18 3> I'm Just A Lucky So And So 3:34 4> Blue Skies 4:42 5> So Long 5:06 6> New York City Blues 4:00 7> Tell Me You'll Wait For Me 4:39 8> There Must Be A Better World Somewhere 5:21 9> I Still Think About You 4:19 10> I'm Confessin' (That I Love You> 4:26
-Afterglow

Mea culpa. I meant to say the album Trippin' Live.  :-[

Thx for catching that. It's now been corrected in my OP.  :Thmbsup:
252
Living Room / Re: Recommend some music videos to me!
« Last post by 40hz on December 04, 2015, 02:48 PM »
Mike League and Snarky Puppy are back with a recently released session video. Check it out. This band is awesome!

253
Living Room / Re: Do we have any musical people on DC?
« Last post by 40hz on December 04, 2015, 02:45 PM »
Thanks for sharing that!  It's so cool!  The part that was the best to me was watching the faces of the musicians as they first played it.

I wonder about the weight?  And the finishing?  And the durability over time?


It is an interesting question. Considering the way they're slinging it around I'm guessing it weighs in around 6 or so pounds.

Durability is another issue. I figure it's probably as sturdy as a Danelectro which are made out of Masonite. I do think the edges might need some additional finishing however. Maybe a piece of transparent fiberglass tape over the edges and some additional finishing to blend it in and secure it would do the trick. Of course, if it could be produced cheaply enough and last for 10 years, it might not be an issue. Just pull the hardware and electronics and stick them on an inexpensive replacement body/neck.

I doubt Fender will do any more of these. It's just a proof-of-concept piece for Cardboard Chaos to demonstrate the versatility of corrugated. But it may provide some incentive and ideas for builders outside of Fender who may wish to pursue it.
254
DC Website Help and Extras / Re: Continued software?
« Last post by 40hz on December 04, 2015, 12:47 AM »
i think the killswitch thing might make people quite uncomfortable.
I had a sinking feeling that that would be the case. It's unfortunate, but this software has questionable morals to it, but as far as I've researched, nothing illegal. Just another utility to do something you could do with already existing software for free, this just makes things super easy to do it. And if you're gonna do it, go for broke or go home as they say.


FWIW putting a killswitch into the software would make for a very good legal argument under US law that you were aware there might be some sort of potential legal issue and you then tried to cover yourself with a technical fix if there should ever be a problem.

That won't fly too well in a US court, which tends to adopt the position that if you thought there might be a problem, you should have either gotten it straightened out before you went ahead - or just not done it at all. The fact that you expressed concern going into it is enough for someone to argue that you willfully did something you knew was wrong.

If you left out the killswitch, you could at least argue there was no intent to do something that might result in legal action. That wouldn't be enough to get you completely off the hook. But it would go a long way towards mitigating the consequences, since intent has a significant bearing on what penalties may be handed down following legal action.

The other thing is that using somebody's codebase without their specific permission (or a license) can land you in trouble if they ever show up again - as others here have pointed out. The fact that you're not charging for it won't matter. Sony and other game companies have shut down and taken legal action against people who have come up with free mods for their games. And in one situation there was a company (I think it was EA) who actually sued someone for innocently offering a free patch to fix a bug in the company's game code. So be careful with "abandoned" or "comatose" code. It still belongs to whoever originally wrote it - even if they stopped developing it and walked away.
255
Living Room / Re: Do we have any musical people on DC?
« Last post by 40hz on December 04, 2015, 12:18 AM »
Might this be the beginning of the end of the "tonewood" debate? A completely cardboard Stratocaster commissioned by Cardboard Chaos rolls out of the Fender Custom Shop...

Cardboard Chaos is here and it’s time to riff on a new idea! Rock out with your cardboard stock out! This episode we work with a master builder at the Fender Custom Shop to see if paper has the ability to handle the look, feel and sound of one of the world’s most recognizable guitars, the Fender Stratocaster. A master builder can make just about anything look good, but will it sound good? Will it have tone and will it be able to handle the heat and get approval from one who rocks for a living in one of the most ass kicking bands of the last two decades, Linkin Park?! It’s a tall order and with roughly 250lbs of torque put on the neck of a guitar from the strings – We have ourselves a challenge and some Cardboard Chaos!

256
Living Room / Re: Recommend some music videos to me!
« Last post by 40hz on November 30, 2015, 05:14 PM »
This old classic (both the song and the man) keeps getting better with age. Dr. John (born: Malcolm John "Mac" Rebennack) and the song Such a Night. (For the record, I  think his best version is on the Afterglow Trippin' Live album. But that's me. And I also couldn't find it on YT.)

257
Living Room / Re: silly humor - post 'em here! [warning some NSFW and adult content]
« Last post by 40hz on November 30, 2015, 02:03 PM »
IMG_1608.JPG

Just about sums it up I would think.
258
Living Room / Re: What books are you reading?
« Last post by 40hz on November 30, 2015, 01:59 PM »
Mike Hernandez's classic Database Design for Mere Mortals: A Hands-On Guide to Relational Database Design Still the single best book on the topic of relational database design AFAIC. Now in its 3rd edition. I'm reading it to see what's changed since the previous two editions - both of which I own and read. :

rdbms.jpg

And purely for recreation, Haven Kimmel's A Girl Named Zippy. One of the best coming of age autobiographical essays ever. There isn't a page without at least one funny anecdote of quotable sentence on it.

zippy.jpg

259
Living Room / Re: Automakers Want to Outlaw Gearheads From Working on Their Own Cars
« Last post by 40hz on November 25, 2015, 02:31 PM »
The more "connected" things become, the more some people are going to want to erect fences and install controls to manage "the herd."

"Command & Control" is the new drug. And a far more addictive for some people than crack or heroin will ever be.

Maybe they should try outlawing that instead? Or would that just be too paradoxical for them?

Control freaks generally have a very low tolerance for either irony or humor.  8)
260
Living Room / Re: A Cabinet of Infocom Curiosities
« Last post by 40hz on November 25, 2015, 09:49 AM »
That's a pretty impressive portfolio! How many other people can see their entire professional career laid out so neatly for all to see?

Infocom did some really great games. I had almost all of them (on 5-1/4" floppy no less) until the tank in our water heater unexpectedly dumped it's contents onto our basement floor a few years ago, and then continued to try to refill itself one quiet Saturday when we were out for the day. My Infocom collection was on the bottom shelf of the steel storage shelving I had installed down there. So it wound up under about a half foot of water. When things finally dried out, those boxes and folios were fused together or water damaged so badly that there was nothing left to do but toss them out. 

Another piece of history gone. I also lost my entire collection of old Borland, Lotus, Ashton-Tate, and Fox software that I had been keeping for sentimental reasons. (Remember when these things used to come with extensive printed documentation - sometimes in snazzy 3-ring binders - and in nice plastic boxes or sturdy slipcases?)

So it goes. I'll especially miss M.U.L.E. and Timothy Leary's Mind Mirror.
261
Living Room / Re: Show us the View Outside Your Window
« Last post by 40hz on November 23, 2015, 06:17 AM »
Beautiful wintery scenery. Seems your little guy is enjoying that parcel of land big time too! Congrats on getting it.  :Thmbsup:
262
Living Room / Re: Show us the View Outside Your Window
« Last post by 40hz on November 22, 2015, 05:47 PM »
11/22/2105-4:38pm

View from our backyard. Taken by Alex on her iPhone. One of the most spectacular New England autumn sunsets we've seen in a long time! (Click thumb to enlarge.)

IMG_1602.JPG

Full size image (WARNING! very large)
IMG_1602.JPG



263
Living Room / Re: silly humor - post 'em here! [warning some NSFW and adult content]
« Last post by 40hz on November 21, 2015, 08:43 AM »
IMG_1596.JPG

I knew it!
264
Living Room / Re: Recommend some music videos to me!
« Last post by 40hz on November 19, 2015, 06:51 PM »
**<duplicate post - please delete>
265
Living Room / Re: Recommend some music videos to me!
« Last post by 40hz on November 19, 2015, 06:48 PM »
Caroline Lavelle (previously mentioned in this thread) from the end credits of the movie Joy Ride which I rewatched a couple of weeks ago (static video).

Ah! The lovely (in every way) Ms. LaVelle. My favorite elf-maiden. I always liked her best when performing with Loreena McKennitt. Loreena always seemed to keep things in check and prevent things from spilling over into the usual New Age excesses.

Speaking of which...I posted this vid in another thread for totally different reasons. But this short (56 or so mins)  docu-film on Loreena McKennitt is interesting enough from a purely musical perspective that I think it may not be inappropriate to post it here as well. There's some stellar performance pieces in it. Hardly surprising considering the musicians she records and tours with are all world class, as Ms McKennitt herself is.




266
Living Room / Re: Recommend some music videos to me!
« Last post by 40hz on November 19, 2015, 03:28 PM »
Interesting Israeli band by the name of Project RnL. Sounds like early prog rock meets Frank Zappa - when Frank's not being a jerk. Refreshingly different from most of what's out there. Frighteningly technical bass player (Or Lubianiker rockin' his Mayones bass) in their lineup if nothing else. (Lordy Lordy!)

Too soon to tell if I really like them yet. Exceptionally polished, as any good prog rock ensemble should be. But as of right now, I can't decide if they're as musically clever as they seem - or merely contrived. But I'm gonna keep an eye on them for sure.

267
Living Room / Re: "Chilling Effects" is now "Lumen"
« Last post by 40hz on November 19, 2015, 03:03 PM »
Somebody tell them to get an RSS feed going...
268
Living Room / Re: Do we have any musical people on DC?
« Last post by 40hz on November 18, 2015, 12:03 PM »
So I don't see a return to patronage as necessarily  desireable or without danger to artistic integrity.

I do agree there are dangers- but there's danger in everything.  The trick is to be aware of them, and work to avoid them.  You really think that the current system we have is any better?  And that those same pressures don't exist?  The current system is closer to classical patronage- the few hold the money, and they support who they will on a whim.  When I say patronage, I don't think towards that system- but more towards those that want support directly.  That is what I like about patronage.  I give $1 and it's not much.  10000 give $1 and it's a clear sign that you're doing something that people like.  100,000 give $1... and you're well on your way.  So I mean everyone being a patron of what they like.  Rather than the artist getting only a fraction of what I pay, and being in control of a lesser fraction.  And where you have to basically sign away your work in order to get published.

I had a friend... a moderately successful writer.  He wrote a pretty niche set of novels, and still writes them.  It was originally his story... and one that the publisher just publishes, right?  He tried to go into different media.  Things that the publisher wasn't even into.  Used Kickstarter for it, and was very successful.  Too successful one might say- there was nothing from the publisher's side, until the Kickstarter did so well.  You can imagine the rest.  It ended *reasonably* well, but still, it shows that people above will grasp onto anything they can keep ahold of, and squeeze until there's nothing left.


Point taken. But it's also dangerous to equate the music industry with the publishing industry. Because except for some similarities when it comes to distribution models, the two worlds and businesses are very different once you get beyond the superficial resemblances. Having been in both worlds, I can speak from firsthand experience on that subject.

I also don't agree that it's necessarily worth revisiting an already known "bad option" with the (IMO) mistaken notion that just because its dangers are known, that somehow makes it potentially more "acceptable" or worth considering a second time. Because according to The Book of 40Hz: "When something sucks - knowing that it sucks (and how it sucks) - doesn't make it any less sucky."

Or to put it more professionally: A "bad option" remains a bad option, regardless of the degree of risk involved in pursuing it.  ;) 8)


---------------

To go back to Amanda Palmer's successful Kickstarter campaign, I think it's also worth noting that she didn't solicit funding to write the music (which took 4 years), put the band together, or record the master tracks. She had already done that and was at pains to make sure people understood this wasn't the usual: "Hey wassup! We want to do our own album peeps! Mommy and daddy already said no. So can you maybe help pay to do it?". Which made her campaign very different from most music Kickstarters in that there already was "product."

In her case she was soliciting contributions for final mastering, manufacturing, and distribution. Basically those things a record company traditionally handles for a recording artist. So you could probably say she wasn't doing a music project campaign so much as a campaign to create a single project recording and distribution company. Because the creative part was already finished. All that remained was the manufacturing and distribution. And the road show...

Which was, I think, was an extremely significant factor in getting her the backing she got - along with her roughly 14 years of "street cred" and active involvement with her fan base leading up to it.

269
Living Room / Re: Do we have any musical people on DC?
« Last post by 40hz on November 17, 2015, 07:26 PM »
I also think she was the right person, with the right project, in the right place, at the right time - and the crowdsourcing scene was in a unique moment where it wanted to put some real momentum behind something. So I think it was more a phenomenon rather than a sign that pointed the way for others.

There are a lot of successful music and art campaigns on Kickstarter and Patreon.  And I think it's awesome.  It hails back to the 18th century when patronage was a thing.  Pentatonix is a group that has benefited from it.  And Lindsey Sterling.  But that is a supplement that allows them to do their thing in all three cases, rather than a support.  And I think that's an important distinction.  Without the other side - engaging with your fans in a real way, producing, and performing, you'll never rise to the level of real sustenance.  More... subsistence, I think is the word I'm looking for.

I have very mixed feelings about patronage. Because in the 18th century, it meant that art was almost exclusively reflecting and promoting the values and opinions of a certain monied subset of the society. You would not get authors like Dickens or Twain under a system dependent purely on patronage. Even PBS discovered how easily funding could be withdrawn if you riled the wrong person or irked the government by rocking the boat too much - or not reflecting the sentiments of the status quo.

So I don't see a return to patronage as necessarily  desireable or without danger to artistic integrity.
270
Living Room / Re: Do we have any musical people on DC?
« Last post by 40hz on November 16, 2015, 09:41 PM »
This short documentary on Loreena McKennitt :-* shows the realities of being a musician as well as running and being in a band - and how I think you still need to do things if you want to be a successful musician today. It runs a little under an hour and I think it's worth watching. Check it out soon before YT realizes it's been uploaded and take it down:



271
Living Room / Re: Do we have any musical people on DC?
« Last post by 40hz on November 16, 2015, 09:33 PM »
Amanda Palmer

I wouldn't consider her a Cinderella in this piece.  She performs a lot.

By that I meant somebody who broke the limit and actually took in $1M+ on a crowdsource campaign that was targeting something like 1/10th of that.

Please don't get me wrong. I have a lot of respect for her as an artist and a businessperson. (I actually kicked in on her project and I own everything she ever released.) But she is so far removed from a typical musician that I think her story is more inspirational than it is instructional for most people.

I also think she was the right person, with the right project, in the right place, at the right time - and the crowdsourcing scene was in a unique moment where it wanted to put some real momentum behind something. So I think it was more a phenomenon rather than a sign that pointed the way for others.
272
Living Room / Re: Do we have any musical people on DC?
« Last post by 40hz on November 16, 2015, 07:58 PM »
Here is an article I found interesting. Be sure to read the sole comment, made by the blogger mentioned in the first paragraph.
http://www.cruiseshi...-laughable-math.html

Interesting if somewhat poorly written article. However I have to disagree with the commenter you pointed to. Because whenever you start speaking in "new" business terms like "monetizing fans" you're already heading in the wrong direction IMHO. Because fans actively resent being treated like a resource to be mined as if they were some mineral. And all the other "begging" schemes (i.e. crowdsourcing) and/or plans to sell music by the slice (i.e streaming, etc.) are not going to work long term.

In the end, I think we're seeing a seismic shift in the landscape for music. The days of producing a series of hits, and afterwards retiring to your secluded mansion for a purely studio career (a la The Beatles et al.) are over for all intents and purposes. The way bands will (and do) make money is by doing live shows. They can supplement their income by selling swag or hard copy recordings of their music - but the show is the thing that brings in the real money.

People are so virtualized and digitized that anything recorded and reachable via the Internet is perceived as valueless. Or, if it is grudgingly acknowledged to have some value, then the feeling remains that the price tag should be: FREE! regardless of that. And that mentality isn't going to change anytime soon - if ever.

So my feeling is, if you want a career as a professional musician, be prepared to go out on the road full-time and work for a living. Just like every band used to do up until the modern recording distribution cartel kicked into high gear between 1950 and 1970 and transformed music into a full blown industry. An industry with them in charge and calling all the shots when it came to broadcasting and record sales. Streaming media is just a logical extension of their monopolistic "closed shop" practices. And it works the same way as far as the average band is concerned.

Music is a performance art. With the advent of LPs (and now digital media and distribution) there were (and still are) many musicians that hoped technology would liberate them from the constant need to perform. But it didn't. And now, it's even more obvious it won't. So if you're a professional musician - or want to become one - the  time has come to face the music and go back to doing what musicians have always done - perform music in front of a live audience.

I don't see it working any other way. Either in the short or long-term.

(Note: I'm sure many wishful thinkers will tell me otherwise. To which I can only say: show me the trend - not the occasional Cinderella (e.g. Amanda Palmer) case that seems to show otherwise.)

273
Living Room / Re: silly humor - post 'em here! [warning some NSFW and adult content]
« Last post by 40hz on November 16, 2015, 03:30 PM »
IMG_1594.JPG
274
Living Room / Re: Do we have any musical people on DC?
« Last post by 40hz on November 16, 2015, 03:22 PM »
Dollars to donuts, this will intrigue a few people here:



Interesting if a little long-winded at times.

But I think Lori Anderson did that sort of thing much better back as early as 1986 with 1/10th the technology we have to work with today.  ;)



275
Non-Windows Software / Re: linux mint newbie
« Last post by 40hz on November 12, 2015, 12:25 AM »
I see there are different Linux 'flavors' each with its own +'s & -'s.
I am heavily invested in Windows 7, but I see a growing consensus that future Windows releases may not be the way to go.
It looks like a good course for me to follow would be to begin a long-term interest to familiarize myself with Linux, towards the day I must upgrade from Win 7 to Win 10 or something even newer as yet unreleased (i.e. Win 11, 12... etc.).
That would be a good time to switch from Windows 7 to a Linux OS.
By then I would have a better idea what 'flavor' to switch to.


My understanding is that with the release of Windows 10 there will be no further "versions" in the old sense. Windows is heading towards a rolling upgrade cycle where the OS just receives regular updates via Microsoft's update service. It's generally thought (but not yet confirmed) that free updates to the OS will be limited to a certain period of time and that a subscription will be eventually required to continue to participate in the ongoing upgrade/update cycle. That mechanism and subscription business model will replace the old method of purchasing completely new editions of Windows to get milestone upgrades. Once that happens there won't be future version numbers. Windows will just be called Windows. So it's a whole new world Microsoft has planned for its Windows users to eventually be migrated into.

If that future works for you, that's great. If it doesn't, then your alternatives are Linux or Apple's OSX - or possibly Android or iOS on a tablet or other mobile device.

I myself have decided to place my bet on Linux for my current and future workstation needs. But only time will tell if I made a wise decision.

Good luck!  :Thmbsup:
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