The redneck side of me has a few things to show you. 
And I don't have a box to put this in, but here it is...

And I don't have a box to put this in, but here it is...


Joe's recording and performing credits include Tom Waits, PJ Harvey, Tracy Chapman, Marianne Faithfull, DJ Shadow, Courtney Love, Flea, Les Claypool, the Eels, and many other artists. His music appears in many films and TV shows. Joe helps develop musical products for various companies, notably Apple, where he is a major indie developer for the GarageBand, Logic, and MainStage platforms. He's written literally thousands of articles about music and musicians, and is senior editor of Premier Guitar magazine.
A bit too trip-hop/space-pop (damn these mongrel genres...) for me, but she obviously knows what she's doing.
That said, I DO like Clara's voice, it's got a certain soul that cuts through the background. I'd like to see her with a few other members, at least keyboard and maybe something else eclectic, like a turntablist to keep those drum loops live.A bit too trip-hop/space-pop (damn these mongrel genres...) for me, but she obviously knows what she's doing.Feel the same about it myself.
Sara Quin delivers an absolutely uninspired vocal on this one too:Weeeelllll, I can't quite say it's uninspired, but definitely in that deadpan style that seems to be all the rage lately...


On May 22nd, ROLI showcased a Seaboard ensemble at Abbey Road Studios, featuring legendary keyboardist Jordan Rudess, accompanied by Marco Parisi and Heen-Wah Wai, and Ray Hearne at the drums.The song was composed for ROLI by Nathan Stornetta and Jordan Rudess. It is named after bass player extraordinaire Tony Levin, for its incredible bass and synth sounds.
Performance featuring Seaboard GRAND keyboards.That's VERY fascinating. First thing I think of is a keyboard that has breath controller, pitch/bend, or any midi control built into the keys themselves.QuoteOn May 22nd, ROLI showcased a Seaboard ensemble at Abbey Road Studios, featuring legendary keyboardist Jordan Rudess, accompanied by Marco Parisi and Heen-Wah Wai, and Ray Hearne at the drums.The song was composed for ROLI by Nathan Stornetta and Jordan Rudess. It is named after bass player extraordinaire Tony Levin, for its incredible bass and synth sounds.
Interesting possibilities for the adventurous keyboardist...
More on the Seaboard can be found on its website. Link here.



That's VERY fascinating. First thing I think of is a keyboard that has breath controller, pitch/bend, or any midi control built into the keys themselves.

A long solo by Zakk Wylde:

“The idea that an individual in this great country of ours could be arrested for simply posting lyrics to a song is something I never believed could happen in a free society,” states EXODUS guitarist Gary Holt.
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