


Fantasy but in a non euro-medieval setting. Really got me, and I am picky and jaded when it comes to fantasy or magical realism.There are some good fantasy series set in pseudo-mediaeval, pseudo-North European milieus, but it's been done to death. It's a refreshing change to find something different, so thanks for that one.
Fantasy but in a non euro-medieval setting. Really got me, and I am picky and jaded when it comes to fantasy or magical realism.There are some good fantasy series set in pseudo-mediaeval, pseudo-North European milieus, but it's been done to death. It's a refreshing change to find something different, so thanks for that one.
FWIW, authors of fantasies that I've enjoyed, who set their works in relatively unusual worlds, include Sarah Ash, Garth Nix, Caroline Stevermer, Michael Marshall Smith, Steph Swainston, Naomi Novik, P.C. Hodgell, Chris Wooding, Jonathan Stroud, Marcus Sedgwick, Jan Siegel/Amanda Hemingway, and Chris Wooding.
pHp - which (from my admittedly limited experience with it so far) has to be the single most sloppy, poorly implemented, and sprawling of any scripting language.




my pipedream: a freeware software writing IDE that has the elegance of C#Isn't that called a mouser?

I'm having a very difficult time finding anybody playing the big ray brown bass around here.

That's true. never considered that angle. yet another reason to buy one for myself and loan it to whoever gigs with me. Also lends itself to my idea of purchasing a used shitty van for gigs.I'm having a very difficult time finding anybody playing the big ray brown bass around here.
You might have better luck if you'd guarantee the player a roadie plus convenient free transportation for the thing.
Time was (maybe still is) when you booked a union musician for double bass they'd get a "portage" fee along with the appearance money. I think that started when people finally realized you couldn't bring a bass onto a subway car so bassists who were packing the "doghouse" needed to call a cab to get them to the clubs they were playing at. Or at least they did if they wanted to arrive with their instrument in one piece.
FWIW, the biggest I've ever schlepped was the 3/4 - and that was a royal pain in the butt getting places with. Even with a ride.

(Found a great deal on it from a UK distributor.)
^^That sounds like a GREAT read! I'm going to get it.

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