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Do we have any musical people on DC?

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wraith808:
Personally, I wouldn't want to be without a pedal tuner. At the very least I'd want something I can plug into. Fortunately, a friend (with more money than sense) gave me a Pitchblack+ he decided he didn't like, but I don't recommend that for you, or most people in fact. I'm damn happy to have it, but I certainly wouldn't pay $150 for it.

You want something that's accurate to +/-1 cent, which the more recent models of clip-ons from Snark and TC also are, if I'm not mistaken. The Monoprice knockoff of the regular Pitchblack is supposed to be quite nice, and only costs $20. Some people claim it's the actual Pitchblack, which it might be, but I've never seen any proof of that. In any case it's supposed to be an excellent pedal.

The Pitchblack+ is accurate to 0.1 cents, which mostly just makes it suitable for setting intonation. In my case, it also has a couple additional benefits. Unlike most people, my perception is a lot more accurate than +/-1 cent, and I have perfect pitch. Even in a mix, extremely small intonation issues can bug me.
-Vurbal (March 30, 2016, 09:04 AM)
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Thanks for that!  I only have relative pitch, and it bugs me when the steps are off, and is very obvious to me, and I look at other people and wonder why they are sitting blissfully.  I can imagine it would be that much worse with perfect pitch.

ayryq:
I like Korg tuners, and I bought the CA-40 (actually I have a couple of them) because it goes low enough to tune my low B on the five-string bass.

I can imagine it would be that much worse with perfect pitch.
-wraith808 (March 30, 2016, 10:38 AM)
--- End quote ---

I wonder how "you people" deal with off-of-440 pitch situations? I regularly play with a pipe organ which is at A4=439Hz. Does that drive you nuts or do you adjust?

40hz:
I like Korg tuners, and I bought the CA-40 (actually I have a couple of them) because it goes low enough to tune my low B on the five-string bass.

I can imagine it would be that much worse with perfect pitch.
-wraith808 (March 30, 2016, 10:38 AM)
--- End quote ---

I wonder how "you people" deal with off-of-440 pitch situations? I regularly play with a pipe organ which is at A4=439Hz. Does that drive you nuts or do you adjust?
-ayryq (March 30, 2016, 10:47 AM)
--- End quote ---

I don't have absolute pitch - but I do have excellent relative pitch. So once I hear a few notes of anything, my brain just locks into the first few intervals for reference and I'm perfectly fine. You wouldn't want to tune an orchestra just to me. But I'm never playing out of tune - no matter what the standard for being "in tune" is.

I prefer the sound of A=432 as it was during the Baroque period. (Actually A=438 is my own personal favorite.) But that's me. I don't buy into any of the metaphysical discussion surrounding the whys or wherefores, nor get into the political discussion of the "Nazi origins" surrounding A=440. I just like the way the lower A standard sounds. Modern tuning always sounds a little sharp to me. Especially that all important B tone - which always sounds 'out' to my ears - no matter what the tuner (even a Peterson strobe unit) says.

If you haven't heard much with A=432 (or possibly didn't know when you were - because many bands (like some of mine) will routinely drop their A down a few cents even though they don't feel the need to make a big deal or wave a flag around about it. This guy did up some comparison listening clips. Give a listen below:

40hz:
Didn't know if anyone was looking for some good, reasonably priced, effects pedals.

An assortment of valeton pedals are on massdrop.  3 days left on the drop.

-wraith808 (March 26, 2016, 10:45 PM)
--- End quote ---

Nice! Didn't know about those. Another good inexpensive line of effects (especially the tiny Nano Legacy series) are the Hotone pedals and mini amps. The mini amp heads in particular are pretty impressive. Priced nicely too.





40hz:
So I have a question that I've not really found a reliable answer to.

First, I was using a Korg GA-40 for a tuner.

I moved on from that to a TMR50BK, mostly for the dual use of recording and a metronome.

As of late, I've switched to a Snark SN-5 after seeing it in use in one of my local shops.

I just saw a GoGo Pedal Tuner on massdrop.  The lowest drop price is 39.99, and I'm thinking about joining.

Is there any real discernible functional difference between different tuners that any of you have noticed?  The Snark is convenient, and doesn't actually plug in, but I don't hear any difference between that and a plug-in tuner.  I can hear the difference on lower end tuners for sure.  But once you get past a certain price point, it doesn't seem that the difference is anything but form.

Thoughts?
-wraith808 (March 26, 2016, 08:58 AM)
--- End quote ---
Personally, I wouldn't want to be without a pedal tuner. At the very least I'd want something I can plug into. Fortunately, a friend (with more money than sense) gave me a Pitchblack+ he decided he didn't like, but I don't recommend that for you, or most people in fact. I'm damn happy to have it, but I certainly wouldn't pay $150 for it.

You want something that's accurate to +/-1 cent, which the more recent models of clip-ons from Snark and TC also are, if I'm not mistaken. The Monoprice knockoff of the regular Pitchblack is supposed to be quite nice, and only costs $20. Some people claim it's the actual Pitchblack, which it might be, but I've never seen any proof of that. In any case it's supposed to be an excellent pedal.

The Pitchblack+ is accurate to 0.1 cents, which mostly just makes it suitable for setting intonation. In my case, it also has a couple additional benefits. Unlike most people, my perception is a lot more accurate than +/-1 cent, and I have perfect pitch. Even in a mix, extremely small intonation issues can bug me.
-Vurbal (March 30, 2016, 09:04 AM)
--- End quote ---

Agree 100% about the pedal tuner. If you're a bass player, a bombproof professional pedal tuner should be the first electronic accessory you buy. A stage-worthy tuner and a really good amp are all you'll really ever need to work in a band or studio environment. I tell anybody who asks: get yourself (in the following order): a good instrument, a tuner, and a really good amp before you even think of buying anything else. Once t hat's squared away, let your common sense and your wallet be your guide. And when in doubt about buying another pedal - try waiting a week and practicing a little more before you reach for your plastic.  ;)

I'm alternating between a TC Electronics PolyTune-2 and a Korg Pitchblack. For the record - I prefer the Korg because it's a rock solid and no-frills stage tuner that handles a low-B string just fine. And the $80 it goes for won't break the bank. I don't use any of the bells & whistles the PolyTune brings to the party. That said, the Poly is also quite nice. But it's definitely geared more towards guitarists and their needs. I keep mine as a backup.

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