ATTENTION: You are viewing a page formatted for mobile devices; to view the full web page, click HERE.

Main Area and Open Discussion > Living Room

20 years later, the movie "Total Recall" still kicks butt

<< < (12/23) > >>

Renegade:
...
Movies really irritate me when people behave irrationally or illogically for no good reason. (Upon reflection, that sounds funny, I need a valid, logical reason for someone to behave illogically.) I'm not good at watching movies just for entertainment. I usually can't help but think about them for the next few days and analyze them to pieces.
...
-Deozaan (June 17, 2010, 02:05 AM)
--- End quote ---

I know what you mean. But I think that movies are also a reflection of the general level of sophistication of their first audiences. Less education means there is less of a burden on the film maker to make things align closer to reality.

Take the "hacker" that takes control of all the government military computers through "military strength firewalls and encryption", finds the "secret plans", and hands them to the hero. In 30 seconds. All the while screaming, "Hold on! Just wait!"

Never mind that it would take all the computers in the world trillions upon trillions of universe lifetimes to crack just 1 encrypted key. That's too long for the audience to wait. Make it 10 seconds. ;)

That's the general level of sophistication of the average person. The people here at this forum are not representative of the norm.

But so what? It pays off to suspend disbelief, buy into the ridiculousness and just enjoy the movie no matter how far fetched things are.

Take CSI... Yikes. Need I say more? :)

What I would really like more of are films like Riddick where instead of some typical, lame hero, you get the ANTI-HERO! Elric of Melniboné and Stormbringer. That's the kind of stuff that puffy film studios just can't manage to get done. Sigh...

It's so bad that quite often I find myself rooting for the "bad guy".

Oh - DEXTER. Great show.

Well, I'm wandering very far off-topic yet again.

Suspending disbelief. Yes. That helps make movies/shows more enjoyable. :D

f0dder:
Oh - DEXTER. Great show. -Renegade (June 17, 2010, 06:14 AM)
--- End quote ---
:Thmbsup:

40hz:
It only rates 42% at Rotten Tomatoes, but they're retards.
-Renegade (June 17, 2010, 12:03 AM)
--- End quote ---

I prefer the Quiet Earth website for sci-fi and horror reviews.



QE is primarily interested in post-apocalyptic themed films. But it also provides a decent amount of coverage for other genres as well. They're especially good at finding obscure indie and non-US movies. They're a good source for pictures that don't get much coverage elsewhere.

FWIW I seldom read or otherwise pay attention to reviews until I see the film. Before that, all I'm looking for is a brief non-spoiler plot synopsis; a few stills so I can get some idea of the overall 'look' and level of production; and a trailer or two. (I love trailers!)

Once I see the film, I'm much more open to reading reviews. But the main reason I do is to see if I might have missed something rather than to seek validation for my own impressions. I'm at the stage where I'm pretty comfortable with just liking what I like.

I find that the very best films are often horror films. Now, 99% of horror films are just drivel, but that rare horror that pokes its head above the crowd really does go beyond.
--- End quote ---


One of the reasons I've never had much interest in horror films is because most are pretty lacking. But as you noted, that only makes the rare exception even more enjoyable. And when they're good, they're very good indeed.

I never had patience with vampire anything until the lovely Kate Beckinsdale took a crack at it in the first two Underworld installments. I thought the third one lost something, but the first two were very well done. Same goes for Blade and Blade II. Both were way up there for pure entertainment value. (A vampire Pomeranian? Love it! You need a really sick sense of humor to come up with something like that.)

Sci-fi I find are generally more consistently good, but again, rarely truly are "great". Star Wars and Blade Runner are what film makers aspire to. Getting there is another thing though.
--- End quote ---

The biggest problem with filming sci-fi is the story. It's exceptionally hard to translate something as idea-based as a sci-fi story into something as action-oriented and visual as a movie. As one director pointed out, all you can film are actions and images. There's absolutely no way to film someone's emotions or thoughts. The best you can do is imply them through visual cues.

Then there's the problem of providing context. Since much good sci-fi creates its own universe, there's a huge amount of background information that needs to be conveyed before the reader/viewer can get into the story. Fans of sci-fi have an advantage because they already know certain genre conventions which allow them to enter into the story more quickly than the average viewer. Say "warp drive" and a fan will immediately recall the six or seven fully developed (fictional) ways a starship can be made to hop from star to star. A non-fan will need more hand-holding and explanations. Which takes time away from telling the story. And that's a big problem in the film world.

In the trade, losing footage to provide necessary background is referred to as "laying pipe."  A good example of where it didn't become a problem was in Blade Runner. With a few well chosen scenes and images, Ridley Scott plunked his audience right down into Phillip K. Dick's dystopian future in less than 5 minutes. And with hardly anyone noticing just how strange a world it was.

A good example of where "laying pipe" was a problem was in the film The Minority Report. If you had never read the story, you would have been lost without being filled in on how this weird new method of law enforcement worked. And for it to be believable, you needed a lot of background. Unfortunately, Spielberg spent the first twenty or so minutes providing nothing but background. The real story didn't get started until around the 22 minute mark.

That delay would have been enough to kill The Minority Report for most people - even if it weren't such a lousy movie. (Which it was.)

--------

One interesting option is to blend horror with sci-fi. It's probably one of the toughest tricks in the world to pull off. But it hasn't kept some directors from trying.

Event Horizon tried and failed despite it's huge budget, name director, and excellent cast. Just goes to show that all the acting talent and special effects in the world still couldn't compensate for a fundamentally flawed storyline. It was almost painful to watch superb actors like Fishburn, Neill, Quinlan and Richardson giving it their all - and to no avail.

Event Horizon was one of the few films I ever went to where the audience started walking out before it was over... (The other was Excalibur.)

Carpenter's Prince of Darkness mostly succeeded even though the ending got dragged out longer than it should have. AFAIK, this was the very first movie to posit the notion of evil as being a form of malignant intelligence that exists in a dark parallel universe. And one which is actively trying to cross over into our own.

Shades of the old master: H.P. Lovecraft  :-* with his "Elder Gods"... Ia! Cthulhu fhtagn!

I wouldn't mind seeing a remake of PoD. Especially if it were updated to include some of the more recent discoveries in physics. And if they fixed the pacing.

The 2006 movie Pulse actually did succeed in merging the two genres. Fairly believable if you put yourself within the context of the story. It also contains some of the better creepy visuals out there.

Imagine our wireless technologies made a connection to a world beyond our own. Imagine that world used that technology as a doorway into ours. Now, imagine the connection we made can't be shut down. When you turn on your cell phone or log on to your e-mail, they'll get in, you'll be infected and they'll be able to take from you what they don't have anymore -- life.  
--- End quote ---

This film has some memorable scenes. One of the best takes place during a discussion in a coffee shop in what is now a virtually deserted city following an unexplained  rash of suicides and disappearances. The character Maddie is trying to explain to skeptical computer hacker-extraordinaire Dexter what she thinks she knows about what's happening. A very strange wild-eyed man, half-drunk, and half out of his mind with fear, butts into their conversation:

Mattie Webber: Just like Josh said, he pulled something through...

Dexter McCarthy: Pulled ghosts through the Wi-Fi? I just doesn't make any sense.

Thin Bookish Guy:[adding to their conversation] It makes all the sense in the world. Do you have any idea of the amount of data that's floating out there? The amount of information we just beam into the air? We broadcast to everyone where we are, and we think we're safe? The whole freakin' city is going insane, and we're acting like it's nothing. Well, it's not nothing. It's something we don't understand, and it is coming for us.
--- End quote ---

There's a clip up on YouTube if you want to watch it. Link here. This scene starts at the 1:22 mark.

Pulse is an American remake of the 2001 the Japanese film: Kairo. It's one of those few times when a remake holds it's own against the original. I have both. I personally think Pulse is the better movie.

You can watch the trailer for Pulse here and the trailer for Kairo here.

-----

One new movie that looks promising is a Columbian military/horror piece called El Paramo.

A special high mountain command composed of nine experienced soldiers is sent to a military base in a desolate high-plains moor of Colombia with wich contact was lost several days ago and was believed to be the target of a guerrilla attack.

Upon arrival, the only person found inside the base is a peasant woman who is heavily chained. Gradually, the isolation, the inability to communicate with the outside world and the impossibility to escape, undermine the integrity and sanity of the soldiers, causing them to lose the certainties about the identity of the enemy and creating them doubts about the true nature of that strange and silent woman.

Prisoners of fear, paranoia and a dark secret that they carry, they will challenge each other becoming animals willing to kill one another in order to survive.
--- End quote ---

20 years later, the movie "Total Recall" still kicks butt  20 years later, the movie "Total Recall" still kicks butt  20 years later, the movie "Total Recall" still kicks butt

Quiet Earth has a write up and a trailer if anybody's interested. You can find it here.

Looks pretty cool. 8)

Deozaan:
Take CSI... Yikes. Need I say more? :)
-Renegade (June 17, 2010, 06:14 AM)
--- End quote ---

Upon reflection, I suppose I'm only willing to suspend my disbelief so far as the setting and theme of the movie suggests is reasonable.

Something that takes place in the future or in space or another planet requires a suspension of disbelief in what kind of technology is available and what other forms of life exist. Generally, the rules of "how things work in reality" don't have to be modified much more than that.

Something in a fantasy setting requires you to be able to modify the "rules" for other forms of life and what kind of magical powers are available/commonplace (i.e. Harry Potter).

Something set in modern America (i.e. CSI) should require very few modifications to the rules of "how things work," so when things are unrealistic they set off internal alarm bells that say "Hey! That can't work like that!"

But no matter the setting or theme, I become agitated very easily when a director/screenplay insults my intelligence by presenting me with people who behave irrationally and illogically without providing a logical reason as to why their cognitive abilities are so impaired.

I guess what I'm saying is that, ultimately, I have an extremely hard time suspending my disbelief in people (their behavior). Even though I'm quite capable and willing (as far as the theme suggests) to suspend my disbelief in "how things work in reality" for the sake of a good story.

I think the Transformers movies are a good example of that. Polymorphic alien robotic lifeforms that take the shape of human-made vehicles is a pretty lame idea that requires you to really stretch your imagination to accept as possible if you think about it, but I willingly accepted it. The thing that I hated about the movies was how idiotic nearly every single human being (and some of the robots, especially in Revenge of the Fallen) was!

40hz:
But no matter the setting or theme, I become agitated very easily when a director/screenplay insults my intelligence by presenting me with people who behave irrationally and illogically without providing a logical reason as to why their cognitive abilities are so impaired.
-Deozaan (June 17, 2010, 03:21 PM)
--- End quote ---

Wow...

You can get all that just from a movie?

How do you ever manage to make it through a work day? ;) :)

Navigation

[0] Message Index

[#] Next page

[*] Previous page

Go to full version