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Living Room / Re: Cross-utilization?
« on: November 06, 2016, 12:02 PM »
Defragging only makes sense on a physical drive because of the moving parts, ie the time it takes to move from one physical location on the platter to another. On a flash drive the problem is not physical movement, but rather the limited number of reads and writes before it wears out. A properly designed flash drive intentionally fragments data to avoid using the same addresses over and over.

In fact, I wouldn't expect the physical locations of the addresses, nor would I assume they were physically contiguous.

Living Room / Re: Do we have any musical people on DC?
« on: October 10, 2016, 02:37 PM »
Hmmm... I typed this out the other day, and apparently forgot to hit send. Damn ADD. Let's give it another try.

A week ago I went to an open jam and a friend of mine I hadn't seen in several years was sitting in on drums. He's not around town too much because he does a lot of touring with various artists. I was asking him about a couple of his recent gigs - playing in Paul Rodgers' touring band, followed by a Bad Company tour where he worked as Simon Kirke's drum tech. It turns out he's getting ready to go down to Florida to work with Paul's son Steve.

That's cool, but this was the really cool bit for me. One day he asked Simon if he still had the drum kit he played with Free at the Isle of Wight, and Simon said Paul had it, last he knew. The next time he saw Paul, he asked him about the kit, and Paul said he thought it was in his basement. At this point he's getting excited, so he calls Steve in Florida (at Paul's house) and asks him to check for a gold drum kit in the basement. Sure enough, it's sitting down there, looking like it hasn't been played since the Free days. It even still has the kick drum head with 'Free' hand painted on it.

Simon and Paul don't really care much about it. To them it's just some old drums, but my friend is planning to get it cleaned up while he's in Florida, so it can be preserved, and maybe put on display somewhere further down the road.

He couldn't show me the pictures of the kit, since he didn't have his phone with him, but with any luck he (and his phone) will show up at the jam tonight.

Living Room / Re: Do we have any musical people on DC?
« on: July 31, 2016, 10:35 AM »
That Stormy Weather rendition, while I love the vocals, so missed that, is definitely excellent from an instrumental standpoint.  It brought to memory one of my regrets.  My father was very big into Ella Fitzgerald, Billie Holiday, Count Basie, Duke Ellington, and many more performers of that era.  And he was really into musicals- Gershwin, Rodgers and Hammerstein, etc.  In fact, I remember my proudest moment was giving him the complete selection of Rodgers and Hammerstein on DVD when they first came out.  A pretty penny, but the look on his face...

Now that he's gone, and I've started to appreciate that music, I kick myself, and it makes me sad.  I never took the time to cross to his side of the street until it was too late, and I find myself wondering what he thought/would think about certain renditions, or composers, or dancers that I was never interested enough to ask him about.

That sounds so much like my dad, except add in old country music, or as he called it, having grown up in the Alleghany Mountains, hillbilly music.

Sharing that music with me is no small part of what made us so close, although being his first son certainly had something to do with it. I was 16 when he died, and that's one of the few things I had left to hang on to. I'm not sure that helps, but maybe it would have, had he lived longer. My big regret is how our relationship was in the last year or 2 he was alive. It was probably better than most teenagers have with their parents, but it still hurts to think about how I left things with him.

Living Room / Re: Do we have any musical people on DC?
« on: July 30, 2016, 07:45 AM »
@Vurbal - that sounds pretty awesome. And your wife reminds of my own lady a little. Sounds like a keeper.

She certainly is! And I'm not saying that because she just bought me a set of Sadowsky Black Label flatwounds for my birthday... well not just that.  :D

Unfortunately, that band doesn't look like it's ever going to completely come together, but, as it happens, I've got opportunities coming out of the woodwork now. A couple weeks ago, a guitarist I've played with quite a bit got me an invite to a private get together with a local drummer who's looking to put together a 60s and early 70s R&B/Soul group. It was a great afternoon, and I apparently impressed everybody there by blowing through a bunch of songs I didn't know (all but like 2 songs we played) by just picking up on the groove and running with it.

The R&B project doesn't have a timeline yet, since the drummer is recuperating from a health scare he had a couple months back, but he would like to be playing out by the end of September. But another drummer who was there invited me to possibly do some recording with him on an originals project he's doing with a guitarist. They call it prog, which it really isn't. Mostly, it just has slightly oddball time signatures, like 9/8. However, it's interesting enough for me to spend a couple hours every weekend working on bass lines, and recording is another mountain I was looking to conquer eventually anyway.

The most exciting one for me, though, is this. Since my wife and I started going to the Sunday night jam, I've gotten a lot more stage time, since very few bass players show up. By the end of the night, the host band's bassist and I usually end up taking 3-4 songs at a time. After a lot of playing time together, a very good guitarist who's been sitting in with them, mostly just to fill up his musical calendar, wants me to work with him on an originals project - sort of a late 60s style power trio. He's apparently been looking for a bassist for months, but couldn't find anybody who played melodically enough. He also invited me to come sit in with him at an open mic night he hosts about 15 minutes away from my house.

Of course, the downside, as any musician (or music lover period) who has sat through enough open jams can tell you, is listening to the same handful of standards being butchered almost weekly. There are only so many times you can hear They Call It Stormy Monday played without feeling before you snap. Don't get me started on Cissy Strut or Shakey Ground. Let's just say that some people should not be allowed to play funk in public.

Not that I'm claiming to be perfect. A friend of mine showed up one night and wanted to sing Me and Bobby McGee, which she does very well, even when both the guitar and bass are off key, as it turns out. Since the guitarist and I had both played it in the past, we just looked up the chords as a refresher before hand. Unfortunately, we didn't look closely enough to remember the key change after the first verse. :o We spent most of the rest of the song giving each other funny looks, since neither one of us could figure out exactly what was wrong. Fortunately, the singer is a real pro, so we only made ourselves look stupid.

Living Room / Re: Do we have any musical people on DC?
« on: May 04, 2016, 03:49 PM »
For the last month I've been going to a Tuesday night jam, which got me authorization from the wife to buy my Ampeg 2x10 a twin brother. A guitarist I've played with each of the 3 times I got up is putting together a band, and asked me to play bass. I've enjoyed playing with him, and he has the seal of approval from my friend Kenny. He knows (or knows about) all the live music in the area, and he's as good a judge of character as I've ever met.

The best part is now that I'm going to these things as a player, my wife suddenly decided she wanted to go with me. I wasn't expecting that to last, since she gets up crazy early in the morning and, frankly, had never shown much interest in checking out local musicians. That changed last night, when I made her wait for 1 more group of musicians to play.

The reason I insisted on staying was the guy who had walked in about 20 minutes before I got up. Hopefully he couldn't hear me any better than I could. He's a hero in the local blues scene named Bob Pace. The kind of guy you find in little markets all over. He's better than all his peers, at the level of the top session guys, but lacking the extra little something that vaults you from top pro to all time great. In fact, I saw him open for Johnny Winter back in 2000, and his band (as headliners) would have been worth the extremely modest ticket price. Then Johnny took the stage, and that was a whole other level of playing.

My wife agreed that Bob's performance was worth the wait, and I think she really paid attention to the music in a way she almost never does. She even suggested we check out the Sunday night jam, hosted by some of the players who show up every Tuesday, starting on Mother's Day. Yes, I do have the world's most awesome wife!

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